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So I did the same thing, but on an underground level, like with a lot of Necro and El-P.

MR MUTHAFUKIN EXQUIRE LOST IN THE SAUCE DOWNLOAD HOW TO

I didn’t know how to meet producers at that time, but I used to like 50 Cent, and 50 made his name just taking other producers’ beats and rapping on them. Me and the dude fought, and then I got fired from my job. I caught my girlfriend cheating on me with some dude. My roommate caught me and shit, then my grandmother had a stroke. I made that album after I had a bad week where I tried to kill myself. Music and you don’t even know Kanye?’ Lost In Translation I’d just seen him for the first time and people looked at me like, ‘How the fuck you signed to G.O.O.D. I was lying, saying I was signed to G.O.O.D.

Music, and we gave out a whole bunch of CDs! It’s funny, ’cause I ended up meeting Kanye that evening.

I remember I went to Kid Cudi’s release show when he did his first mixtape, and I was lying and telling everybody I was signed to Kanye West’s G.O.O.D. When I came with other records, they knew my name already, even if they didn’t hear my music. I was in New York and we’d go out every weekend and hand out CDs-actual physical CDs!-and that shit did a lot for me in the city. The internet existed, obviously, but there was no big internet rap scene at the time. This is also the first album that really got me a little bit of attention. That’s how I found ‘eXquire.’ ‘This is what I talk about, this is my voice, these are the sort of beats I like.’ All of that came from that record. It blew my mind and I based my style around it. When I got old enough to really understand the words and the lyrics, it was like a whole ‘nother thing. Doom, Dilla, RZA, all of that shit was explosively new to me when all that shit came out, I was a little kid. I was just getting into underground rap, and it was exciting to me. I was going in on a lot of MF Doom beats, too. That album was my tribute to Wu-Tang Clan I rapped over a lot of Wu-Tang beats. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to trackĪt that time, I was just learning to be eXquire. 1, a collection of previously unreleased (and unmixed) loosies that eXquire came across on a hard drive, we present a guide to eXquire’s Bandcamp vault, told in his own words. Expect to be sick of me!”įollowing the recent release of Capsule Vol. That distance has reinvigorated his hunger to write and perform, to the point where he promises “the next 12 months will be the most people will see me since I’ve been rapping. “I don’t feel like I’m in the music industry at all, so I just don’t really deal with it,” eXquire says. After parting ways with the label, eXquire has chosen to operate in his own sphere, trusting his raw musical instincts, seeking out up-and-coming producers to work with, and releasing music at his own pace. A remix of that same song enlisted rappers El-P, Danny Brown, and Despot, and rap trio Das Racist, which solidified eXquire’s buzz and caused Universal Records to come courting.īut signing a major label deal never seemed like a strong fit for such an uncompromising artist. The song showcased his dexterous flow and dark humor over an eerily funky beat created by Necro. “I like to do music, but I don’t like the pressures of doing music and shit.” The charismatic Brooklyn-raised rapper is reflecting on his career, which effectively began eight years ago with his breakthrough single “Huzzah,” a track about drinking way too much liquor. “I’m a person who has a weird relationship with the spotlight,” says Mr.

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